OMD – B90

Orchestral Manoeuvres in the Dark, affectionately known as OMD, began their musical journey in 1978, leaving an indelible mark as pioneers of synthpop. Founded by Andy McCluskey and Paul Humphreys in Wirral, England, OMD’s innovative fusion of electronic instruments, catchy melodies, and introspective lyrics has sculpted a unique identity. 

The evolution of OMD saw a departure from punk influences, swiftly embracing synthesizers and experimenting with eclectic styles. Their self-titled debut album in 1980, featuring the breakthrough hit “Electricity” catapulted them into the spotlight, laying the foundation for their distinctive sound. 

They were last Tuesday in a sold-out B90. A concert for nostalgic fans. Despite some youngsters attending the concert, most people were somewhere over 50 years old of age. I’m one of them. At 52 years old, my memories of OMD go back to the end of the 80’s with some specific moments. I was working in holiday camps for children with my best friends. I was a chef, they oversaw the kids, and so, every morning, they were waking them up with either “Electricity“, either “Enola Gay“. Everybody loved that moment of the day.  

The intro in both songs is entertaining and catchy, the message of the songs was not important as they were kids, and we were French, so… well, you know. What was important was the music, how happy it would make them, and us. 

OMD was very popular in the 80’s, they were internationally acclaimed with albums like “Architecture & Morality” (1981) and “Dazzle Ships” (1983). Chart-toppers like “Enola Gay” “Maid of Orleans” and “If You Leave” showcased their ability to seamlessly blend social commentary with danceable synthpop. They had a punk attitude, with a unique way of expressing it.  

Their lyrics often touch on social and political themes. Classics like “Enola Gay” express anti-war sentiments, while “Junk Culture” critiques consumerism, revealing the band’s depth and social awareness. Let’s not also forget that “Green“, released in 1989, is a plea for environmental protection and a call to action against climate change. In 1989! Their lyrics are layered with metaphors and symbolism, inviting listeners to interpret the messages and engage in critical thinking. And their newest album is the most politically explicit ever.  

Last night on stage, they stayed true to themselves, with catchy tunes and a lively stage presence that enthused the fans present there. The stage was minimalistic, with just a wall of screens behind them. And enough space left to let Andy dance and move as freely as he wanted. He is generous and has an undisputed charisma, seeking interaction with the public, with smiles, looks, dialogues… A real show man.  

Despite the predominantly mature audience, the performance resonated with the timeless appeal of OMD’s music. It was a testament to the band’s ability to connect beyond the music, creating a memorable night for fans who’ve been with them since the 80’s. 

 The Gallery


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