It’s easy to get caught up in the whirlwind of new releases and forget about a great album that may have flown under the radar. Sugar Horse’s “The Grand Scheme of Things” is one of those albums, and it deserved more attention from us. Known for their eclectic and often unpredictable style, Sugar Horse, a Bristol-based band, has been pushing the boundaries of metal and experimental rock since their formation in 2015. They have built a reputation for combining post-metal sounds with sludgy theatrics and confrontational lyrics, creating a musical experience that is mesmerizing and brutal.
Sugar Horse first gained traction with their 2019 EP “Druj” and 2020’s “Drugs“, confusing and captivating listeners with their wild genre-shifting. Their 2021 debut album, “The Live Long After“, recorded in a former church, was met with critical acclaim for its ambitious melding of aggression and atmospheric elements. The album solidified their place in the UK’s heavy music scene.
Fast forward to 2024, and the release of their latest effort, “The Grand Scheme of Things“. Recorded in the derelict All Hallows Hall in Avon, the album sees the band dive deeper into the dichotomy between chaos and serenity. The songs are more concise, but the emotional weight feels heavier than ever. Tracks like “Spit Beach” and “New Dead Elvis” are perfect examples of this, offering moments of raw energy and visceral lyrics. The album’s highlight, “Space Tourist”, stretches into a massive 25-minute finale of minimalistic yet punishing doom, challenging listeners with its sheer length and intensity.
Sugar Horse has never been a band to take the easy route, and this album is no different. It’s as complex and confounding as it is cathartic, with every listen revealing new layers. Whether you’re drawn to their sludgy riffs or their quieter, shoegaze-inspired moments, “The Grand Scheme of Things” is an album that demands your attention.
If you haven’t listened yet, now’s the time.
